FAQs from readers
Question:
I am an ACE-certified fitness instructor and on the mailing list for the Human Kinetics catalogue, which features Ann and Chris' book, Stretch to Win.
I have been on a quest to become more flexible for a number of years, and the book sounds good, but before spending the money on yet another book that may not make much difference to my flexibility level, I thought I would write and ask what this program can offer someone with my goals.
As an aspiring classical dancer who started dancing later than childhood, I did not develop the extreme flexibility that comes with beginning regular stretching at the age of 8 or 9. I need a split in at least the front and back directions, and very open hipflexors in front, which are quite tight. With my access to the fitness and dance professions, I have consulted at least 4 different practitioners over the past year for help with flexibility, and I have improved somewhat, but not to the level I need to become a fluid dancer.
I have seen accomplished athletes struggle for basic flexibility, and I'm wondering if your book addresses people like this. I am way beyond the basic level--yet still have not attained the flexibility level a dancer needs to be effective in classical technique. Can this program offer a quantum leap in flexibility (with dedicated practice, of course)?
Many thanks for your attention to my inquiry.
Answer:
My wife & I were professional dancers & like you, my focus was on classical ballet training. I started late (17) yet still managed to get accepted intoJoffrey Ballet when they were one of the top companies in the USA. The reason why I tell you this is for you to know that it is still possible to make quantum leaps but you need to have a certain amount of natural or genetic ability in strength, flexibility, balance and musicality to endure the rigors of classical dance.
What makes the flexibility training program in my book different is that I take you through a Personal Flexibility Assessment (PFA) & teach you how to do the same for yourself so that you may gauge your progress. Then you proceed to focus on the areas that are restricting your flexibility after you have identified them through yourPFA.
The first part of the program is based on self myofascial release (sMFR) which is much more than just rolling on a foam roll. Stretching, which is the second part, comes after sMFR but instead of the static stretches that many dancers do before class (which is wrong) I teach you about the Stretch Wave™ which are undulating movements that areperiodized.
The Stretch Wave™ is done a little faster before dance class (or sports) in order to increase blood circulation & body temperature, as well as to move in all possible directions, for a comprehensive warm-up. After class, rehearsals or performance (or after training or a sport participation) the Stretch Wave™ is done slower to take advantage of the high body core temperature & restore elasticity of the fascia before it tightens again when you cool down and go to bed.After you try this program, I'd be happy to help you adjust the program even more to suit your particular needs. Happy stretching!!


